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NiTRo Uses Blackmagic Design Workflow for New Streaming Studio

Blackmagic Design today announced that NiTRo (NTV Technical Resources Inc.), a comprehensive technical production unit of the Nippon Television Group, uses a number of Blackmagic Design products for its main streaming studio, M-CUBE. The workflow includes ATEM 4 M/E Constellation HD live production switchers, ATEM 2 M/E Advanced Panel, ATEM 1 M/E Advanced Panel, HyperDeck Studio HD Plus broadcast decks, Ultimatte 12 4K real time compositing processors and other Blackmagic Design products.

“Argylle” Becomes the First New Release Movie to Screen Globally in TrueCut Motion, Pixelworks’ Cinematic High-Frame-Rate Format

Premium Screens Worldwide Take Advantage of Groundbreaking Motion Grading Technology

Chapel Hill Public Library Serves Community Using Extron Technologies

The upgraded AV systems include a variety of improvements such as larger displays with enhanced image quality, overflow capabilities, and intuitive control for users with a wide variety of experience levels. KONTEK designed and integrated Extron switching, audio, streaming, and control systems to support each meeting space and a NAV Pro AV over IP system to link the four rooms.

SDVI Rally Access Workstation Enables Fully Managed Edit-in-the-Cloud Model With Adobe Premiere Pro

New Capability Brings Scalable Access to Hosted Workstations and Content, Dynamically Provisions Infrastructure Within Automated Media Supply Chain
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Streaming Media Producer - Featured Articles

Featured Articles

Review: Allen & Heath CQ-18T 16-Channel Digital Mixer

by | The introduction of the Allen & Heath CQ line revolutionized my audio setup, providing a compact, all-in-one solution without compromising essential features.

How to Monitor Cloud-Based Low-Latency Streams at Scale

by | What is the essential monitoring checklist for maintaining efficiency, resiliency, and performance for large-scale low-latency streaming using cloud-based workflows? Dolby.io Director of Product Strategy and 2G Digital Post Optimization's Allan McLennan discuss the key components and tools for an effective live stream monitoring strategy in this clip from Streaming Media Connect.

How to Ensure 24/7 Streaming Asset Accessibility in the Cloud

by | One concern with migrating streaming infrastructure and content storage from on-prem to the cloud is ensuring that your content assets are just as accessible via remote data centers as when you had them all stored in physical proximity on-site. CBS' Sports' Corey Smith, Signiant's Rick Capstraw, Telestream's Richard Andes, and IntelliVid Research's Steve Vonder Haar discuss the attendant challenges and how to overcome them in this clip from Streaming Media Connect 2023.

The End of NDI As We Know It?

by | NDI runs the risk of fumbling the ball on the 20-yard line—squandering the nearly decade lead they have in IP video by not enforcing that licensees integrate all of the standard. I write this in the hope that they re-establish what the NDI standard means: that to license NDI, and display the NDI badge, a product must be 100% compatible.

Review: Blackmagic Design 12G 7" Video Assist 12G HDR

by | In this review, we'll look at Blackmagic Design's 7" 12G Video Assist. Like the 5" and 3G models in the Video Assist line, this compact monitor-recorder is designed to go out into the field and attach to the camera, rig, or tripod. It allows you to see your shot better than a small viewfinder or pop-out LCD that's rarely larger than three four inches on most pro camcorders. The Video Assist also enables you to record your footage in high-quality ProRes or HD|NX at resolutions up to 4Kp60.

Review: Blackmagic Design HyperDeck Studio HD Plus

by | If you are in the business of recording and streaming conferences, the Blackmagic Design HyperDeck Studio may be an indispensable tool.

For Live Streaming Producers, Tables of Gear Are Still a Good Idea

by | While the All-In-One live production and streaming tools grow and mature, let's make sure we keep backup solutions in mind to ensure a successful production—even if it still means a table full of gear.

Video Review: OBSBOT Tail Air AI-Powered PTZ Streaming Camera

by | If you're looking for a compact PTZ camera system for a small performance stage, conference room, podcast table, demonstration kitchen, instruction classroom, or any number of setups where the cameras can be positioned close to the subjects, and you would really benefit from the ability to manually change the shot or leverage automatic tracking, the OBSBOT Tail Air is custom-tailored to your needs.

Video Review: Magewell Director Mini

by | Magewell's new Director Mini is a mini marvel. This 5.5" "all-in-one" production tool with a $1,299 street price can mix multiple inputs and do picture-in-picture graphics, audio mixing, recording, streaming, and more, as IEBA's Anthony Burokas explains in this in-depth review.

How Cloud Workflows Enhance Streaming Scalability

by | One of the popular arguments in favor of cloud migration for streaming producers concerns the economics of scalability. CBS Sports' Corey Smith, Intellivid Research's Steve Vonder Haar, and Loke Dupont of TV2 in Denmark discuss the key benefits of moving to cloud streaming workflows in this clip from their panel at Streaming Media Connect 2023.

Tech Talk: Making the Most out of BRIDGE LIVE with AJA's Mike Boucke

by | From facilitating live-event streaming to remote production and beyond, AJA's multi-channel UltraHD and HD live video solution BRIDGE LIVE supports a wide range of streaming and contribution codecs. Join AJA product manager Mike Boucke to learn more about this powerful device and all it offers for live-stream workflows—from ultra-low latency to support for NDI and more.

Support Video Software Solution Providers That Put You First

by | There's a difference between software where we are in charge, and software where we, and our work, are captives of our tool providers and their subscription-only services. It is in our own best interest to consistently run cost/benefit analyses of the value our tools provide to each of us. We each get to make the decisions that benefit our businesses, and, at a higher level, we are choosing to support those businesses that either do, or do not, put us first.

Pros and Cons of Cloud vs. On-Prem Streaming Production

by | Should all streaming production operations be shifting to the cloud to take advantage of the scalability, flexibility, and economic benefits of cloud streaming workflows? Or does on-prem still have its time and place? Telestream's Richard Andes, EY's Waseem Ahmad, and IntelliVid Research's Steve Vonder Haar debate the pros and cons of cloud vs. on-prem in this clip from Streaming Media Connect 2023.

All-in-One Streaming Tools Let You Do It All—But Should You?

by | Today, we are seeing a similar conglomeration of features and abilities in today's production hardware, enabling one person to "do it all!" This begs the question: Should you do it all?
... More Featured Articles

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